Film and theatre – The Free Music Directory Thu, 19 May 2022 02:14:13 +0000 en-US hourly 1 Film and theatre – The Free Music Directory 32 32 Tom Cruise Jets in Cannes – and leaves with a Palme d’Or Wed, 18 May 2022 23:57:35 +0000

The Palme d’Or is the Cannes Film Festival’s most prized possession – the highest award given at the end of the festival to the jury’s choice for the best film in the competition. But much like how the Oscars bestow honorary awards on a handful of recipients at a separate event – the Governors’ Awards – each year, Cannes has awarded around 15 honorary Palmes d’Or over its 75 years to directors and actors who deserve special recognition. for their work.

This year, an honorary prize was awarded to Whitaker Forest, who received his Palme on Tuesday evening during the opening ceremony. But it turns out he wasn’t the only one to receive the special lifetime achievement award this year: Top Gun: Maverick premiere on Wednesday evening, Tom Cruise was surprised on stage with an honorary award, capping a day of celebration for the A-list movie star. “I’m just gonna take it all, and I won’t forget tonight,” he said, looking at the black-tie crowd sitting to watch Top Gun: Maverick.

The Palme d’honneur crowns a day devoted to Cruise, absent from the festival since 1992, for his film Far.

The day began with a masterclass conversation with Cruise, who reflected on his career, highlighting his passion for studying and learning about filmmaking. He talked about meeting directors and screenwriters as much as he could – he even arranged a meeting with Sydney Pollack when he was 19. “I was studying the movies, not just the names in the credits, but trying to figure out who was doing what,” he said. Cruise also talked a bit about the new Superior gun, which comes 35 years after the original film, saying the studio wanted to make a sequel almost immediately, but it wasn’t ready. “By doing sequels, I learned that I could engage with an audience,” he said.

Top Gun: Maverick Originally slated for release in 2019, but was pushed in order to complete the technical aspects of the film in 2020. When the COVID-19 pandemic hit, the release was again delayed multiple times, until landing with that date. current release May 27. Cruise insisted that streaming the film was never an option: “It would never happen. It would never happen.”

For a conversation meant to focus on Cruise and his movie career, the actor often turned attention to the people he works with and the people he makes movies for: the public. The 59-year-old actor, famous for doing dangerous sequences himself and a strong believer in the theatrical cinematic experience, admitted he was scared when doing his own stunts, but made the choice to improve the art form. “Preparation is everything, even if you throw it away,” he said. “Everything I do, I don’t want people to see the work behind it.”

After the hour-long masterclass, Cruise and his Top Gun: Maverick cast – which includes Miles Teller, Jennifer Connelly, Jon Hamm and Glen Powell — walked the red carpet at the Grand Théâtre Lumière, with the original music and “Danger Zone” from the 1986 film playing in the background. Before entering the theater, fighter jets hovered overhead, with trails of red, white and blue smoke cascading behind them. Cruise entered the theater first — traditionally, the director and the entire film cast enter the theater together — to a standing ovation. In another break from tradition, Cruise also addressed the crowd before the screening and then received his surprise Palme d’Or.

After the film, which sees Cruise’s Maverick return to Top Gun to train a group of Marine Airmen ahead of a seemingly impossible mission, the crowd received another treat on the way out: a lavish fireworks display.

Cruise and his cast will fly to London tomorrow for another premiere, but his whirlwind day at Cannes was one of the most celebratory events seen at the festival in many years. “Thank you for this moment,” he told the crowd at the Théâtre Lumière. “I make these films for all of you.”

Actor Kim Coates shares his perspective on the Okanagan film industry – Okanagan Tue, 17 May 2022 00:26:15 +0000

A Hollywood star, Kim Coates, who you might recognize from the popular TV show Sons of Anarchy shared the secret of his success with a host of hopeful actors and people who work in the film industry.

The actor took part in a Q&A event at the BNA Brewing Tasting Room in Kelowna, where he was interviewed by Kelowna actor, director and acting coach Carly Fawcett. He spoke about his theater career at the University of Saskatchewan and his transition to television, film and Broadway.

“I took it seriously, I took the game seriously, I took the lessons seriously,” Coates said. “It starts with the lessons.”

The Canadian actor was born in Saskatchewan and now lives in Los Angeles. However, he calls himself a frequent visitor to the Okanagan and says the Kelowna film industry is heating up.

Read more:

Okanagan film industry rebounds after COVID-19 takes center stage

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“I think people are really starting to discover that here in Kelowna, they write better stuff, they film better stuff. [and] they produce better things,” Coates said.

“There is no better time to [start acting] right now because things are starting to explode.

The Okanagan film industry has grown steadily over the years, bringing millions of dollars to the valley through television pilots, movies of the week, and big budget movies.

Fawcett wants to see more Okanagan talent working on future projects, so she started Born To Act Studios to make sure local actors are ready to step into the spotlight.

Read more:

Kelowna Actors Studio opens new season with “Legally Blonde the Musical”

“Actors can come in once a month and really learn their craft,” Fawcett said, “and really learn what it’s like to stand up for yourself and get into an industry that’s here now.

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“And it will only grow and not only that, but to know that they have talent and that they are worth it.”

Ticket sales from the event go towards scholarships to Fawcett’s Theater School for new actors ready to hone their craft.

Click to play the video:

Kelowna Actors Studio prepares for the new season

Kelowna Actors Studio gearing up for new season – March 22, 2022

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Media Theater Veterans Alliance Honors U.S. Navy Veteran Dick Wilson – Delco Times Sat, 14 May 2022 20:29:15 +0000

MEDIA — The cast of “Sister Act,” which is currently playing on stage at the Media Theater until June 5, weren’t the only ones to receive a standing ovation last Saturday night. Audience members rose to give thunderous applause to Navy combat veteran Richard “Dick” Wilson, 97, who was honored by the Media Theater Veterans Alliance before the curtain time on May 7, for his extraordinary service in the United States Navy during World War II.

“Thank you for coming here tonight and honoring my ship and those who served on it,” the humble Middletown resident said after receiving a congratulatory plaque on stage. “This award is not just for me, but for everyone who has served on my ship.”

After graduating from John Bartram High School, Wilson enlisted in the United States Navy on January 11, 1943. Being only 17, his mother had to sign for him.

“I joined the team right out of high school,” recalls the winner. “But my parents gave me their blessing. They knew that was what I wanted and I probably would have been drafted anyway.

Wilson was sent to basic training in Sampson, NY, then attended radio school. In August of the same year, he was assigned to the USS Santee, one of five escort carriers converted from tankers. The USS Santee (CVE-29) was the prototype of an all-new combat ship for the Navy.

“I spent three years on the same ship,” Wilson said. “I was there when I was 17, 18 and 19.”

Wilson was a radioman on the Santee, one of three sailors who worked 24 hours a day. vessel progress and emergencies, sent and received distress calls and copied codes.

During the winter of 1943, the Santee sailed in a convoy in the Atlantic Ocean which was constantly threatened by German U-Boats patrolling the Atlantic. When the Santee finally ended her operations in the Atlantic, her crew had sunk six U-boats and badly damaged three others.

In the early winter of 1944, the weary convoy sailed to Glasgow, Scotland, before finally returning to its home port of Norfolk, Virginia. His tour of duty in the Atlantic was over, but his service was not. His next destination was the South Pacific.

In February 1944, the Santee departed Norfolk, transited the Panama Canal, and embarked with 200 Navy and Navy personnel and 31 aircraft for delivery to Pearl Harbor. She also took 24 F4F Wildcats and TBF Avengers as her own instruments of war.

In March, Santee completed her mission at Pearl Harbor, sailing with a fleet of destroyers, designated “Carrier Division 22”. The ship joined the fast carriers of the US 5th Fleet and sped west to Palau, with her aircraft patrolling over vulnerable Allied tankers.

In April 1944, Santee joined Carrier Division 24 and a Destroyer Squadron, and set sail for New Guinea. The Santee Air Group aircraft helped destroy 100 enemy aircraft and tear through enemy airfields.

During the Battle of Leyte Gulf in October 1944, the first organized kamikaze attacks took place. Concentrating on US Navy escort carriers, Japanese pilots hit Santee and many other carriers.

Twenty minutes after being hit by a Kamikaze, the Santee was torpedoed, causing extensive damage. When the vessel began to list, the captain ordered the crew to abandon ship. Fortunately, damage control was able to right the ship and the crew did not need to abandon ship.

“I shouldn’t say the new generation has no idea what we’ve been through, but that’s what I sometimes think,” the proud veteran said as he recalled his war service.

The Santee returned to Los Angeles for repairs. In February 1945, Santee was ordered to return to Pearl Harbor and head for Leyte Gulf, in preparation for the invasion of Okinawa. The largest force yet mustered in the Pacific assembled in preparation for the assault.

Guarded by destroyers and destroyer escorts in March 1945, Santee’s aircraft provided air cover for the transport fleet carrying the 7th and 96th Army Divisions, scheduled for the southern landings on Okinawa. In April, the Okinawa landing began at 8:30 a.m. Santee torpedo bombers deposited thick clouds of smoke over the area to provide a screen for the landing craft. Meanwhile, Santee fighters were constantly machine-gunning the landing beaches.

For 42 days, the Santee’s aircraft flew over target areas in the East China Sea, with daily returns to Okinawa for routine ground support. During those long weeks, the Santee was constantly on alert for Japanese suicide bombers. The guns were manned 24 hours a day.

By August 14, 1945, hostilities with the Japanese had ceased and Santee was sent to Formosa to evacuate former prisoners of war (POWs) captured in 1942 by Japanese troops in Malaya, the Bataan Peninsula and the island of Corregidor. The Santee also picked up over 100 Japanese prisoners of war and took them to Pearl Harbor. From November 1945 to February 1946, the Santee brought large numbers of troops back to the United States. On February 3, 1946, the Santee returned safely to San Pedro, California.

On March 4, 1946, Petty Officer Dick Wilson was honorably discharged as Radioman 3rd Class.

“I’m absolutely happy to have served, but three years was enough,” Wilson said with a smile.

He returned home and went to work at his family business, the Wilson Safe Co., while attending the University of Pennsylvania in the evenings. Wilson married his wife Peg and they had two children: Ray Wilson, who currently resides in Upper Providence and third-generation owner of Wilson Safe Co. in Southwest Philadelphia, and Margaret Larkin, a Springfield resident. The couple have four grandchildren.

In addition to the award given in recognition of his service Saturday night, Media Theater Veterans Alliance members Ed Buffman, Bob McMahon and Arthur Burn presented Wilson with a Navy Combat Action (CAR) ribbon. The CAR was originally awarded retroactively to March 1961 for Navy veterans. Then, in 1999, it was made retroactive to December 7, 1941, allowing World War II veterans to apply for the honor.

The Media Theater Alliance also presented Wilson with a broken duck pin. The Honorable Service Lapel Button, colloquially referred to as “Ruptured Duck” by the military, is a lapel button awarded for honorable Federal military service between 1925 and 1946. The award may be worn on the left lapel of civilian clothing.

“We wanted to get these honorable awards for our fellow veteran,” said Buffman, himself a World War II veteran, “because you are the greatest generation.”

Wilson can add the new additions to his other medals and awards: Navy Presidential Unit Citation, Pacific Theater Medal with Five Battle Stars, European Theater Medal with One Battle Star, Philippine Liberation Medal with Two Battle Stars, American Theater Medal with One Battle Star, World War II Victory Medal and Good Conduct Medal.

“It is important that we never forget what these ships and their crews have done for the United States,” the honoree told the audience, as he was recognized on Saturday evening. “Thank you for coming here and honoring my ship and those who served on it.”

The Media Theater Veterans Alliance is in its 21st year of honoring local veterans for their service. All veterans and their families are invited to attend a private reception and see a show at discounted prices, to show their support and honor their comrades. A different veteran is chosen by the Alliance to be singled out and honored during the run of each show.
The hit musical: Sister Act, starring Dené Hill and Jennie Eisenhower, is on stage at the Media Theater until June 5.

Other actors in the hit musical include Megan McDevitt, Andre Dion Wills. Megan Opalinski, Suzanne Briar, Zoran Kavcic, Danny Wilfred, Ethan Walker, Rocco Barbera, Dante Bratelli, Meredith Beck, Tina Delano, Essence Williams-Grigsby, Emily Humphreys, Ronnie Keller, Jarret Martin, Morgan Sichler, Sierra Wilson and Tiara Whaley. The show is directed and choreographed by the Media Theater’s Associate Artistic Director, Christian Ryan, and Ben Kapilow is the Music Director.

Filled with powerful gospel music, lots of dancing, and a moving story, “Sister Act,” based on the 1992 hit movie of the same name, is a lively musical that has been pleasing audiences since 2006.

For more information on the upcoming Veterans Night or for tickets to “Sister Act,” call 610-891-0100 or visit The Media Theater is located at 104 E. State St., Media. To name a special veteran to honor or to learn more about the Media Theater Veterans Alliance, contact the Pennsylvania Veterans Museum, 12 E. State St., Media, at 610-566-0788 or visit

Veteran Arthur Burn, center, reads the service history of the Honored Dick Wilson, left, as a Pa. Veterans Museum re-enactor Mike Mazza, far left, veteran of the World War II Ed Buffman and Vietnam veteran Bob McMahon, far right, gather on stage to honor Wilson for his years of service. (PEG DEGRASSA/MediaNews Group)
Jug Jugg Jeeyo First Look, Check It Out Here Fri, 13 May 2022 08:13:40 +0000
Jug Jugg Jeeyo, a film featuring the stalwarts of Hindi cinema, is directed by Raj Mehta. The film is special because it marks the return of Neetu Kapoor to the screen after seven long years. It is supported by Karan Johar’s Dharma Production. The first look of the film was released today on social media.

From the film’s first video, it seems like a fun family drama with Neetu Kapoor, Anil Kapoor, Kiara Advani and Varun Dhawan leading the cast wagon. The other cast also includes Maniesh Paul and Prajakta Koli, who is popular thanks to his Instagram username MostlySane.

Sharing a flashy short video of Neetu and Anil Kapoor, Advani and Dhawan dressed in traditional white clothes with gold highlights all around, Karan Johar introduced the film’s main cast on social media. He even revealed the possible release date of the film.

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“This is one family reunion not to be missed – filled with surprises, emotions and lots of drama! @apoorva1972 @ajit_andhare @anilkapoor @neetu54 @varundvn @kiaraaliaadvani @manishpaul @mostlysane @rah_a_mehta @rishiwrites @dharmamovies @viacom18studios @tseries.official.

They had started promoting the film some time ago, for which the production house had shared the wedding photos of Neetu Kapoor, Anil Kapoor and Varun Dhawan.

Neetu Kapoor in the caption wrote: “Mere liye shaadi ke baad sab badal gaya (Everything changes for me after marriage). I begin this new journey…with your blessing Rishi ji. With you in my heart always. As Anil Kapoor wrote: “You gave us your blessings once… now my ‘other’ family needs blessings to start a new journey. kyunki shaadi ke baad sab badal jaata hai (…because everything changes after marriage).

Dhawan wrote: “Aap logo ne iss din hume itna pyaar diya thanks but i still need your blessings kyunki shaadi ke baad sab badal jaata hai (You gave us so much love on this, thank you, but I still need your blessings because after marriage everything changes).

Jug Jugg Jeeyo Release Date

The film will hit theaters on June 24 this year.

TOWARDS T, OR NOT TOWARDS T? Coming to the Kirk Douglas Theater in June Wed, 11 May 2022 10:00:05 +0000

Block Party: Celebrating Los Angeles Theater returns with the Los Angeles LGBT Center’s production of “To T, or Not To T? A Comedic Trans Journey through (T)estosterone and Masculinity” from June 25 to July 10, 2022. Opening is scheduled for June 29.

Written and performed by renowned Tamil-Sri Lankan-American actor/screenwriter/comedian queer/transgender D’Lo, “To T, or Not To T?” is a personal, daring and hilarious autobiographical piece. With direction and dramaturgy by Adelina Anthony, “To T, or Not To T?” follows D’Lo’s transformational journey of taking “T” from his childhood days in Lancaster, California to the embodiment of beautiful masculinity. Along the way, “To T, or Not To T?” explores how her relationship with her immigrant father, her love for hip hop and feminism, and her chosen family shape her decisions as an artist and as a human.

Commissioned as a studio production by Dixon Place in New York (2017) “To T, or Not To T?” was originally produced at the Los Angeles LGBT Center.

Winner of the Center Theater Group‘s 2021 Dorothy and Richard Sherwood Award, D’Lo’s work ranges from stand-up comedy, one-man theater, stage plays, film, short stories and poetry. His solo shows “Ramble-Ations”, “D’FunQT”, “D’FaQTo Life” and “To T, or Not To T?” has toured to theaters and festivals nationally, and is a regular performer/lecturer on the college/university circuit. He is currently working on his latest solo piece titled “Queer Noise” with support from Center Theater Group’s Library Series and the LA LGBT Center. His work has been published or written about in academic journals and anthologies, with articles in The Guardian, NBC and The Advocate. He created the “Coming Out, Coming Home” series of writing workshops with South Asian and/or immigrant LGBTQ organizations nationwide. His acting credits include: “Looking”, “Transparent”, “Sense8”, “Mr. Robot”, “Connecting”, and “Minimum Wage” produced by Issa Rae. Most recently, D’Lo received the Artist Disruptor Fellowship through the Center for Cultural Performance and 5050×2020, an initiative started by Joey Soloway, and he is also a Civic Media Fellow through the Annenberg School of Innovation in USC funded by the MacArthur Foundation.

Adelina Anthony (she/they) is an award-winning Two Spirit Xicana lesbian feminist artist who lives and works in the lands of Tongva. As a solo performing theater artist, they have been nominated twice for the Herb Alpert Award. They were directors and participated in the development process of “To T, or Not To T?” by D’Lo. since 2017. She has collaborated with D’Lo on several theater and film projects in various capacities since 2006. Together with Marisa Becerra, they are the co-founder of AdeRisa Productions. Anthony is a Film Independent Project Involve and Sundance Intensive Fellow. She received a Latino Public Broadcasting Public Media Fund Award and an Arts Matter Foundation Fellowship and is a 2021 HBO Max Pa’Lante! Promise/WarnerMedia OneFifty Artist. She practices the indigenous principle: Story is Medicine.

Fifty-two years ago, the Los Angeles LGBT Center committed to building a world where LGBT people thrive as healthy, equal, and contributing members of society. Since 1969, the Center has proudly cared for, championed and celebrated LGBT individuals and families in Los Angeles and beyond. Today, the Center’s approximately 800 staff provide services to more LGBT people than any other organization in the world, delivering programs, services and global advocacy. The Los Angeles LGBT Center is an unstoppable force in the fight against bigotry and shines as a beacon for LGBT people everywhere. For more information, please visit Jon Imparato is the Director of Cultural Arts at the Los Angeles LGBT Center.

One of the nation’s leading arts and culture organizations, Center Theater Group is Los Angeles’ premier non-profit theater company, which, under the leadership of Managing Director/CEO Meghan Pressman and Production Manager Douglas C Baker, and in conjunction with the five Associate Artistic Directors, Luis Alfaro, Lindsay Allbaugh, Tyrone Davis, Neel Keller, Kelley Kirkpatrick, program seasons at the 736-seat Mark Taper Forum and the 1,600-2,100-seat Ahmanson Theater. at the Music Center in downtown Los Angeles, and at the 317-seat Kirk Douglas Theater in Culver City. In addition to presenting and producing the widest range of theatrical entertainment in the country, the Center Theater Group is one of the nation’s leading producers of ambitious new works through commissions and world premieres and a leader in programs. interactive community engagement and education sessions that span all generations. , demographics and circumstances to serve Los Angeles.

For now, Center Theater Group will continue to require masks, along with proof of full vaccination and government or education-issued ID at all of our locations. Booster injections are strongly recommended. This is in line with the commitments we have made with our artists, staff and audiences to keep them safe. According to guidelines set by the CDC, “fully vaccinated” means at least 14 days have passed since you received the last dose of an FDA-cleared or WHO-listed COVID-19 vaccine. Unvaccinated guests, including children or those with a medical or religious reason, must provide proof of a negative COVID-19 PCR test taken no later than 48 hours prior to attendance, or a negative rapid antigen test made no later than 24 hours before. All tests must be administered by a professional. Home tests will not be accepted.

The Center Theater Group will continue to work closely with Music Center and LA County officials to ensure they adhere to all applicable health and safety protocols. Please note that these health and safety measures are subject to change, at Center Theater Group’s sole discretion and as health and safety guidelines and conditions change. More information regarding safety updates as well as public vaccination, testing and mask requirements can be found at

Tickets for “To T, or Not To T? A Comedic Trans Journey through (T)estosterone and Masculinity” are on sale now and start at $30. They are available through, Audience Services at (213) 628-2772 or in person at the Center Theater Group box offices (at the Ahmanson Theatre) at the Music Center, 135 N. Grand Avenue in downtown LA 90012 or at the Kirk Douglas Theater (opens 2 hours before curtain) at 9820 Washington Blvd. at Culver City 90232. Performances are Tuesday through Friday at 8 p.m., Saturday at 2 p.m. and 8 p.m., and Sunday at 1 p.m. and 6:30 p.m.

New York Theater Guide News Mon, 09 May 2022 18:09:11 +0000

The nominees for the 2022 Tony Awards have been announced, honoring shows that reopened Broadway after the pandemic during the 2021-22 season. A total of 29 productions received at least a nod, including pandemic-postponed productions, star-studded revivals, and new plays and musicals that span the gamut of musical and dramatic styles. Read the full list of 2022 Tony Award nominees and get tickets to Tony-nominated shows on New York Theater Guide.

Leading the pack in nominations is A strange loopthe Michael R. Jackson musical that won multiple Off-Broadway Awards in 2019 and a Pulitzer Prize for Drama in 2020. The show, based on Jackson’s highly musical writing process, landed 11 nominations, including Best Musical, Best Lead Actor in a Musical. (for Broadway newcomer Jaquel Spivey), Best Book of a Musical and Best Original Score (Music and/or Lyrics) Written for the Theater.

“When I first heard the work of Michael R. Jackson, I knew I was hearing an exciting and important new voice in American musical theatre. I was taken on a funny, insightful, wild and empowering journey – and I wanted to share this story that I had yet to see on a Broadway stage,” producer Barbara Whitman said in response to A strange loopthe appointments. “I’m so grateful to be able to work with the most talented creators, actors and designers who have come together to tell this groundbreaking story eight times a week.”

“Things like that don’t happen for people like me. Or so I thought. Until today,” Spivey said. “I forgot the very possibility of a Tony nomination because I never believed it was possible for someone like me. I thought I had to be skinny, I thought I had to be masculine, I I thought I had to be from a wealthy family, and I thought I had to be ‘perfect’. Turns out all I needed was Jaquel and it feels good right now.”

“I was trying to act like I wasn’t going to watch and something forced me out of bed and in front of the TV,” said John-Andrew Morrison, who was nominated for Best Actor in a Musical for A strange loop. “I’m in shock but I’m thrilled. I’m thrilled for our show, for all the people who have been nominated. It’s been a journey and I’m so proud of us.”

On the side of starring actress in a musical, L Morgan Lee of A strange loop became the first openly transgender artist to receive a Tony Award nomination. “To specifically be a trans actress in the company of these incredible women that I have respected and appreciated for many years…This nomination is SO much bigger than me,” she said. “I hope someone sees this moment and feels they can go on. No matter what the world, or school, or people tell them they’re ‘supposed’ to be, how they’re ‘supposed’ to be. ringing…that they will continue to strive to love and embrace the fullest version of who they are. That they can safely find their breath in choosing the truth. That they will continue to study, work and dream the biggest dreams.

Fellow nominee Shoshana Bean said of her own nomination: “It’s still sinking…but what I know for sure is that I’m in a category with giants literal and for that, I’m so humbled and humbled. I’m proud to be part of the season that brought audiences back to the theater.” The bean is presented in Mr Saturday nightthe Billy Crystal-directed musical comedy adaptation of his 1992 film of the same name.

Crystal himself also received a Best Actor nomination, saying, “I’m so grateful for all five nominations. Mr Saturday night received and for the amazing people who made our show such a joy to experience.”

A strange loop and Mr Saturday night both received nominations for Best Musical, alongside place of paradise and MJ the musicalwhat path A strange loop for most nominations with 10 each. To complete the category are North country girl and Sixwhich began performing in 2020 just before the pandemic but was considered for Tony eligibility in Broadway’s 2021-2022 season.

SixThe creators of Toby Marlow and Lucy Moss, then students, said: “We created Six like a fun summer project for us and our friends in 2017, thinking that in the fall we would go on with our lives and become lawyers or accountants or something. So for this show to be nominated for a LITERAL Tony Award is just beyond that. for Gabriella Slade) and best choreography (for Carrie-Anne Ingrouille). The show’s six-woman ensemble also received an Olivier nomination at the time, but did not receive a Tony nomination this year.

On the other hand, the cast of some of this year’s major musicals landed their show’s only nominations. Rob McClure joined Spivey, Crystal, Myles Frost (as Michael Jackson in GM) and Hugh Jackman (as Professor Harold Hill in The music man) for playing the lead role in Mrs. Doubtfire on Broadway. “I am delighted to have my name alongside these four brilliant artists for the next month, as we celebrate the resilience of this community. Our show has been through so much. This nomination pays tribute to all my remarkable colleagues at Sondheim [Theatre] that make my performance possible. I love them.”

Jared Grimes also received the only nod for funny girl, the first Broadway musical revival directed by Beanie Feldstein. “I’m super excited and grateful to be nominated for my first Tony. From day one, I’ve received nothing but love and support from the cast and creators of funny girl and it gives me the joy that I bring to the stage every night,” said Grimes, who earned a Best Featured Actor nomination. “It’s truly a dream come true that I can honor my idols such as Sammie Davis Jr. and Gregory Hines. in the form of Eddie Ryan.”

On the non-musical side, nominees for Best Play include The Lehman Trilogy, Clyde’s, Skeleton crew, Minutesand hanged. The latter two played a few performances in 2020 but had their official openings this spring, while the others opened in fall 2021.

“I am thrilled to be recognized for my work during this historic year on Broadway,” said Nottage, the two-time Pulitzer Prize-winning playwright of Clyde’s and screenwriter for MJ The Musical. “I would like to thank my fellow travelers who have gone through this difficult time to bring the theater back. I have had the joy of working with incredible collaborators, such as [Clyde’s director] Kate Whoriskey and [MJ director] Christopher Wheeldon, who imbued the work with passion, love and joy.”

It is rare for a single person to be nominated twice in the same year, and only three artists have done so in 2022. Besides Nottage for Clyde’s and GMBeowulf Boritt received one nomination each for the set design of fly at sunset and POTUS: Or, behind every big fool are seven women trying to keep him alive. And for directing and choreographing the first cover of Ntozake Shange for girls of color who have thought about suicide/when the rainbow is insufficient, Camille A. Brown became the first black director/choreographer on Broadway in 67 years and earned Tony nominations for doing both.

“After 18 months of dark and empty scenes, just to create the worlds of POTUS and fly at sunset on Broadway was thrilling. Know how to do it with [POTUS director] Susan Stroman and [Flying Over Sunset director] James Lapine was more than I ever dared to dream of. Getting a couple of Tony nominations for them leaves me speechless,” Boritt said.

“I never thought I would ever have the opportunity to direct on Broadway, so to be recognized in this way is beyond what I ever imagined,” Brown said. “A special thank you to the producers, cast, creatives, crew and everyone at the Theater booth who brought our show to life. Uplifting Ntozake Shange and grateful for his choreography.

for girls of color was one of the many game revivals trending this season. He was joined by shows like Neil Simon’s farce Square Suite, which starred Matthew Broderick and Sarah Jessica Parker and received a single Tony nomination for Best Costume Design; and take me out, Richard Greenberg’s play about a gay baseball pro which won Best Play in 2003. This year the show received four nominations, for Best Play Revival and Best Featured Actor for stars Jesse Williams, Michael Oberholtzer and Jesse Tyler Ferguson. (Ferguson plays Mason Marzac, the role that originally won Denis O’Hare Best Featured Actor Tony.)

“What a ride! I’m so thrilled for all of our take me out company and so grateful to the theater community for this welcome and this opportunity to grow,” Williams said. Oberholtzer added: “It’s a day I will never forget. Being a working actor is a blessing in itself; to have the opportunity to play a play by Richard Greenberg on Broadway is a grace; to be nominated for a Tony for my performance is worth a lifetime of gratitude.”

Another revival of the piece that is being talked about is that of Paula Vogel How I learned to drive, which just made its Broadway debut 25 years after its Off-Broadway world premiere. The production reunited its original director, Mark Brokaw, and original stars, Mary-Louise Parker and two-time Tony winner David Morse, who both earned Best Lead Actor and Actress nominations. in a play, respectively. Although 2022 marked Conductthe first Broadway production, The Show – with Alice Childress mind problemfeaturing Best Lead Actress in a Play nominated LaChanze—was considered in the Best Play category.

“I’m so honored to be nominated alongside my peers in this category,” Vogel said. “And so thrilled to walk the red carpet with Mary-Louise Parker and David Morse who take my breath away with every performance. My thanks to the entire cast and Mark Brokaw.”

“To be a part of this play appearing on Broadway after decades of effort is truly a dream come true. There is no greater honor than to perform Paula Vogel’s miraculous play alongside David Morse and Johanna Day and Alyssa May Gold and Chris Myers The gift of participating in this first season, the return defies description, and I’m so grateful to the audiences who come to any show and bring these homes that have remained dark for so many years back to life. a long time, with so many unemployed and struggling,” Parker said. . “If I didn’t save my voice, I’d open a window and shout my thanks to heaven.”

Vogel and company weren’t the only ones who spent years anticipating their Broadway arcs. Said Lowell Ganz, who was nominated for Best Book of a Musical alongside his Mr Saturday night co-writers Crystal and Babaloo Mandel: “It took me 50 years to get to Broadway. It’s worth every second.”

The 2022 Tony Awards will air live on CBS on June 12. Learn more about how to watch the 2022 Tony Awards.

Get tickets to Tony nominated shows on the New York Theater Guide.

Martin Scorsese presents a buried gem and a pitch for cinema’s past with a new virtual theater Sun, 08 May 2022 00:58:23 +0000

Martin Scorsese and the Film Restoration Association he founded will launch a new virtual theater, the Film Foundation Restoration Screening Room.FADEL SENNA/AFP/Getty Images

As Martin Scorsese and Thelma Schoonmaker were locked in a cutting-edge “Raging Bull” apartment — an intense process that would have consumed the thoughts of most filmmakers — Scorsese told his editor to take a break. He had a movie he needed to show her.

“He said, ‘You gotta see this one,'” Schoonmaker recalled.

Scorsese was already an avid fan of the films of Michael Powell and Emeric Pressburger, the British filmmaking duo known as the Archers. He considered Technicolor films like “The Red Shoes”, “The Life and Death of Colonel Blimp”, and “A Matter of Life and Death” to be masterpieces. But he had held back watching their 1945 black-and-white Scottish romance, “I Know Where I’m Going!” fearing it was “a clearer picture”. Something about this title. And besides, how many masterpieces could Powell and Pressburger have made?

Still, Scorsese was persuaded to screen it with his friend Jay Cocks the day before filming for “Raging Bull” began.

“I couldn’t have been more wrong,” Scorsese recalled in an email. “It was funny, it was exciting, it was really mystical and it was deeply moving. I’ve seen ‘I know where I’m going!’ so many times since – so many times, in fact, that I I almost lost count of it – and I’m still moved and still surprised each time, and I’m held in suspense until those incredible final moments.

On Monday, Scorsese and the film restoration association he founded, the Film Foundation, will launch a new virtual theater, the Film Foundation Restoration Screening Room. Each month, for one night only, films restored by the Film Foundation will be shown in free online screenings accompanied by discussions from Scorsese and other filmmakers. The screening room begins, naturally, with the restoration of “I know where I’m going!”

Since its release in the final days of World War II, “I Know Where I’m Going!” played a unique role in the hearts of moviegoers. It’s not the most famous Powell and Pressburger film, nor is it consistently listed on all-time lists. Instead, it’s a movie that tends to be shared cinephile to cinephile, like a cherished gift or a family treasure. It’s a buried gem that anyone who’s ever seen it wants to tell everyone about. “You gotta see this one” is how most “I know where I’m going!” begin.

“By the end of the war, people had suffered so much,” Schoonmaker said, speaking recently by phone. “And here is this movie that lifts your heart.”

Shortly after seeing “I Know Where I’m Going”, Powell visited Scorsese, who encouraged Schoonmaker to come over for dinner. They got on well and in 1984 they got married. Powell died in 1990; Pressburger in 1988. Since then, Schoonmaker and Scorsese have dedicated themselves — when not making movies (they’re currently finishing editing “Killers of the Flower Moon,” an expansive detective film for Apple about the 1920s murders in the ‘Oklahoma). Osage Nation) – to restore Powell and Pressburger films. Scorsese recently signed on to narrate a documentary about their movies. For years, Schoonmaker combed through Powell’s journals in hopes of getting them published.

“I inherited that,” says Schoonmaker, Scorsese’s famed editor. “Michael, when he died, left a little furnace burning inside of me. What keeps me going is loving and trying to get others to love his work.

How many can come from liking an old movie? For Schoonmaker, the answer is almost everything. Scorsese’s passion for Archers films inspired Schoonmaker’s and in turn led to the love of his life.

“It was Marty’s passion for film history that made it all possible,” she laughs.

The Film Foundation, which worked with the British Film Institute on the ‘I Know Where I’m Going’ restoration, has restored more than 925 films, preserving large swathes of film history and taking over many studios from cinema of today, who have shown less interest in preserving the past of cinema than in circulating new “content”.

“At this point, they are no longer film companies, but vast media conglomerates. For them, old movies are just one small element in a wide range of properties and activities,” says Scorsese. “The people who run them are several generations away from the very question of cinema: the word only has meaning as a marketing term. Their interest is not to make good films, but to enrich their shareholders. So, no, restoring an image of Howard Hawks is not high on their priority list. The idea that it should be, for reasons that have nothing to do with profit and loss, is not even entertained. In this atmosphere, the idea of ​​art has no place. This throws a spanner in the works.

“I know where I’m going!”, however, represents the recklessness of the best plans. Powell and Pressburger made it in 1944 while waiting for the Technicolor cameras that Lawrence Olivier used to make “Henry V”. We think Pressburger wrote it in a few days. They pitched it to the Ministry of Information, which controlled wartime filmmaking, as an anti-materialist tale. (Britain feared a wave of consumption would follow wartime rationing.)

In it, a headstrong woman, Joan Webster (Wendy Hiller) travels to the Scottish Herbrides (the film was shot on the picturesque Isle of Mull) to marry a wealthy lord. But stormy weather prevents him from crossing to Kiloran (the island of Colonsay). While waiting for her to pass, she meets a naval officer (Roger Livesey) from the region. They quickly become entangled in local life, as we become enchanted with them. Joan feels increasingly confused.

But to sum up the exhilarating magic of “I know where I’m going!” never quite does it justice. It resonates with a warm, lyrical spirit that feels balanced between past and present, legend and reality. This is a movie that you, as helpless as Joan, can’t help but fall for.

Film enthusiasts are a passionate tribe. “The Big Sleep” author Raymond Chandler once wrote, “I’ve never seen a picture that smelled like wind and rain.” Tilda Swinton, who has a family home in Colonsay, thinks “I know where I’m going!” should be handed out by Scottish diplomats when traveling the world. “It’s like a confessional,” Swinton explains in a video made for the Film Foundation. “You come back to it every few years.”

Part of “I Know Where I’m Going” is about reconnecting with something — with nature and old ways — that makes it a particularly fitting film to kick off the restoration screening room. With designated times and sustained conversation around the film, the virtual theater is set up in a way that clearly differs from the standard streaming experience.

“We got used to watching and listening in our free time. Something was gained, but something was also lost,” Scorsese says. “We felt it was important to create a way of watching movies that ensured there was a larger audience watching and responding at the same time.”

At a time when film culture may be uncertain of its direction, the lovingly restored film “I Know Where I’m Going!” can help light the way. It is, in any case, an inspiring port in a storm.

“I have always thought that there is no present or future of cinema without its past. The films that I have seen, that I have reviewed and studied, that I have discovered on my own or through a friend… they enrich me, they inspire me, they support me”, says Scorsese. “I suppose it’s possible to imagine someone making movies and not caring about seeing anything made before their time. But the question is why? What’s the point? Why not see what you get out of “Each film is in conversation with all the films that precede it and all that follow it. That’s true of all art. Isn’t that amazing?”

The Dogwood Festival returns for the 85th year and counting Fri, 06 May 2022 10:11:24 +0000 The City of Fairfield has proclaimed April 30 as National Therapy Animal Day in honor of companion animal partners.

Pet Partners teams make millions of visits each year to schools, hospitals, nursing homes and hospices.

Their therapy animals partner with human companions to bring comfort and healing to those in need.

Visit for more information about Pet Partners.

The annual Dogwood Festival will be back this spring

The Town of Fairfield Dogwood Festival returns this spring for its 85th anniversary. It will take place this weekend at the Greenfield Hill Congregational Church, at 1045 Old Academy Road in Fairfield.

The event will take place from 10 a.m. to 5 p.m. on Saturday and from 11 a.m. to 5 p.m. on Sunday.

There will be food, music, children’s activities, and arts and crafts vendors.

People will also be able to take advantage of the spring weather and admire the city’s historic dogwood trees.

Visit for more information.

The Birdathon returns for the fifth year

The Connecticut Audubon Society’s Fairfield site will host its fifth annual Migration Madness Birdathon May 13-15.

Some events are scheduled at the center at 314 Unquowa Road in Fairfield. People can also watch birds and take pictures by themselves for other competitions.

There will be a friendly competition to see as many species as possible in the state. All levels will be welcome. People can participate alone, with family and friends, or form a team.

There will be prizes for adults, young bird enthusiasts, teams and schools, as well as the annual Birdathon Photo Contest.

Donations will support conservation work throughout Connecticut.

There will be a $10 entry fee. People 12 and under are free.

People can also ask their friends to pledge support for the Birdathon event.

Visit for more information, to register or to be a sponsor.

Fairfield University continues summer enrichment program

Fairfield University will recruit and train up to 500 students for the second consecutive year to provide meaningful educational experiences for young people this summer as part of the Connecticut College Corps.

The program began last summer in response to Governor Ned Lamont’s plan to provide experiences for K-12 students whose school years have been disrupted by the COVID-19 pandemic. It is offered in conjunction with the Connecticut Office of Higher Education, the Connecticut State Department of Education, and other public and private higher education institutions in the state.

Lamont announced in April that the state would dedicate $8 million of U.S. federal bailout funding to continue the program.

Fairfield University actively recruits undergraduate students attending school in Connecticut and Connecticut residents attending college out of state to work as Corps members for seven weeks. They will receive training from Fairfield faculty.

Those interested in the program are encouraged to visit to learn more and apply.

The deadline to apply is May 10.

Fairfield Theater Company Announces 10th Annual Encore Gala

The Fairfield Theater Company will host its 10th Annual Encore Gala from 7-11 p.m., May 14, at the Fairfield Theater Company Warehouse, 70 Sanford St.

The theme of the event is Eat, Drink and Coupons.

The evening will include cocktails, hors d’oeuvres, a Rock ‘n’ Stroll dinner by catering company On The March, live music, art, film, theater and culture. There will also be a silent auction.

The festivities will continue after dinner with Eggsperience in the warehouse, including members of Eggy and special musical guests.

Proceeds from the annual event allow the theater to further enrich the community by bringing the best in arts and entertainment to Fairfield County.

Individual tickets and sponsorship packages are available.

Visit for updates and ticket information.

Visit for more information.

Fairfield professor elected president of American Theological Society

John E. Thiel, a longtime professor of religious studies at Fairfield University, will serve as president of the American Theological Society in the 2023-2024 academic year.

The society is the oldest theological society in North America. It meets annually at Princeton Theological Seminary and is limited to 100 elected members at any one time.

Thiel taught at Fairfield University for 46 years. He was also a visiting professor of religious studies at Yale University. He received fellowships from the National Endowment for the Humanities and also served as president of the Catholic Theological Society of America. Thiel has also written books and articles.

The League of Women Voters will present the legislative summary

The Fairfield League of Women Voters will present a 2022 Legislative Recap from 10:00 a.m. to noon on May 14 in the Fairfield University Dolan School of Business Event Room, 1037 N. Benson Road.

Doors will open at 9:30 a.m. for coffee and light refreshments.

The public will listen to their legislators and ask them questions.

The event is free and open to the public. It will feature State Senator Tony Hwang and State Representatives Laura Devlin, Jennifer Leeper and Cristin McCarthy Vahey.

The cast announces the world premiere of a new adaptation of A SINGLE MAN by Christopher Isherwood at the Park Theater Wed, 04 May 2022 12:54:17 +0000

Troupe today announces the world premiere of a new adaptation of A Single Man by Christopher Isherwood by Simon Reade. Directed by Philip Wilson, the production opens in Park200 at the Park Theater on October 21, with previews from October 19, and runs through November 26.

California, 1962. College professor George mourns the death of his longtime partner, Jim. As a middle-aged gay Englishman living in suburban Los Angeles, he is an outsider in every way. Haunted by his past and unable to move forward, we follow him on a very ordinary day. But for George, it will be a day like no other…

A Single Man features in The Guardian’s 100 Best Novels Written in English, where it is described as “a work of compressed brilliance”. Known to many from Tom Ford’s film, Christopher Isherwood’s masterpiece is now told with irony and compassion in Simon Reade’s new adaptation for the stage.

Powerful and sexy, A Single Man is a dark and fun study in heartbreak, love and loneliness from the famous writer of Goodbye to Berlin, the inspiration for Cabaret.

Christopher Isherwood (1904-1986) is one of the most famous writers of his generation. He left Cambridge without a diploma, worked as a tutor and secretary, briefly studied medicine and then published his first novels, All the Conspirators and The Memorial. Between 1929 and 1939, he lived mainly abroad, including four years in Berlin, which inspired his novels Mr. Norris Changes Trains and Goodbye to Berlin, from which the musical Cabaret is based. He also wrote four plays and a travel diary with the poet WH Auden. In 1939, Isherwood moved to America, where he settled in Hollywood, became a Hindu, and wrote for film studios. He took American citizenship in 1946. In America he wrote five more novels, including Prater Violet, Down There on a Visit and A Single Man, and kept prodigious diaries. He collaborated with his spiritual teacher Swami Prabhavananda on a translation of the Bhagavad Gita and produced another travel book and a biography of Indian mystic Ramakrishna. At the end of the 1960s, he turned to autobiography; in Kathleen and Frank, Christopher and His Kind, and My Guru and His Disciple, Isherwood openly articulated the gay identity he had only implied in his fiction. Among his last works is October, a month of his diary with drawings by his companion from 1953, the American painter Don Bachardy.

Simon Reade’s work for theater includes Private Peaceful (Garrick Theatre, Nottingham Playhouse, Hamburg Kammerspiele, 59E59 Theaters and TBG Theatre, New York and UK tour), David Copperfield (Barn Theatre, Cirencester), An Elephant in the Garden (Poonamallee Productions), A Pure Woman (Dorchester Arts), Sherlock Holmes: The Final Curtain, A Room With a View, Moon Tiger (Theatre Royal Bath and UK tours), Bliss/Mutluluk (Arcola Theatre), Pride and Prejudice (Sheffield Theatres, Open Air Theatre, Regent’s Park, Guthrie Theatre, Minneapolis, Theater Royal Bath and UK tour), Twist of Gold (Polka Theatre), Strindberg’s Apartment (New Diorama Theatre), Toro! Bull! (Salisbury Playhouse), Midnight’s Children (Royal Shakespeare Company and Theater Trier), The Scarecrow and His Servant (Southwark Playhouse), Not the End of the World, Mozart’s Question, Aladdin and the Enchanted Lamp, The Owl Who Had Fear of the Dark (Bristol Old Vic), Alice’s Adventures in Wonderland (TMA Award, Bristol Old Vic and Polka Theatre), Epitaph for the Official Secrets Act (Royal Shakespeare Company) and Tales from Ovid (Royal Shakespeare Company and The Young Vic). Film and TV include Journey’s End, Private Peaceful and What You Will. Books include Dear Mr. Shakespeare: Letters to a Jobbing Playwright and Cheek by Jowl. He was previously Literary Director at Gate Theater and the Royal Shakespeare Company, Artistic Director at Bristol Old Vic, Producer at Theater Royal Bath Productions and Filter Theater and Development Producer at BBC Television, Tiger Aspect Productions and Stolen Picture.

Director Philip Wilson’s work in theater includes Starcrossed (Wilton’s Music Hall), The Boy with the Bee Jar (Hope Theatre), Perfect Nonsense, After the Dance (Theatre by the Lake), The Star, The Norman Conquests, Noises Off, Doctor Faustus, The Astonished Heart, Still Life (Liverpool Playhouse), As You Like It (Storyhouse, Chester), Beacons (Park Theatre), his own adaptations of Philip Pullman’s Grimm Tales (Oxo Tower Bargehouse and Shoreditch Town Hall), The Three Lions (St. James Theater and UK tour), How many miles to Babylon? (Lyric Theatre, Belfast), Toro! Bull! (UK tour), Twist of Gold (Polka Theatre), Sixty-Six Books (Bush Theater and Westminster Abbey), The Importance of Being Earnest, Travesties (Birmingham Rep), If Love Were All, In Praise of Love ( Minerva Theatre, Chichester), The Found Man (Traverse Theatre, Edinburgh), Un Uomo Trovato (Teatro della Limonaia, Florence), Ain’t Misbehavin’ (Sheffield Theatres) and Breaking The Code (Northampton Theater Royal). He was artistic director of Salisbury Playhouse from 2007 to 2011 where he directed The Game of Love and Chance, The Constant Wife, The Picture, Private Lives, Arsenic and Old Lace, The Winslow Boy, his own adaptation of JL Carr’s A Month in the Country, What the Butler Saw, People at Sea, Alphabetical Order and Corpse! ; and directed and designed Blackbird, Faith Healer, and Toro! Bull! – Nomination for the TMA awards.

The troupe’s last production was Joy Wilkinson’s The Sweet Science of Bruising at the Southwark Playhouse, which transferred to Wilton’s Music Hall and was nominated for an Off West End Award for Best New Play. Other recent work includes Rasheeda Speaking by Joel Drake Johnson at Trafalgar Studios, which starred Tanya Moodie, Elizabeth Berrington, Sheila Reid and Bo Poraj and was nominated for five Off West End awards, including Best Production. Other Southwark Playhouse productions include the centenary revival of JM Barrie’s Dear Brutus and James Shirley’s The Cardinal, which starred Stephen Boxer and Natalie Simpson for which it won the Ian Charleson Award. It was supported by an inaugural MGCfutures Fellowship. The troupe’s previous rediscoveries at the Finborough Theater – Rodney Ackland’s After October, Robert Bolt’s Flowering Cherry and RC Sherriff’s The White Carnation, which moved to the Jermyn Street Theater – have been nominated for a total of five Off West End Awards .

]]> Cameron Mackintosh Judi Dench Damian Lewis Celebrates Sondheim – Deadline Mon, 02 May 2022 21:59:00 +0000

All eyes were on Judi Dench.

The legendary actress sat on stage right performing one of Stephen Sondheim’s greatest hits. The sound of his voice, accompanied by a 25-piece orchestra conducted by Alfonso Casado Trigo, amazed a hushed audience.

There was spontaneous applause. The leading lady was taken offstage. She reappeared moments later to perform the number again.

“Goosebumps,” said Cameron Mackintosh, echoing the thoughts of those lucky enough to be gathered in the stalls of The Stephen Sondheim Theater in London for several hours on Monday, for a long day and night of technical rehearsal for tomorrow night’s celebration of Sondheim, a theater giant, who died last November at the age of 91.

Tuesday’s one-night show is called Old Friends, named after a number from the composer’s 1981 musical, happily We drive.

Mackintosh directed Old Friends with Matthew Bourne and Maria Friedman and choreography by Stephen Mear.

It has a cast of thirty-eight;23 including headliners:

Michael Ball, Helena Bonham Carter, Rob Brydon, Petula Clark, Rosalie Craig, Janie Dee, Judi Dench, Daniel Evans, Maria Friedman, Haydn Gwynne, Bonnie Langford, Damian Lewis, Julia McKenzie, Julian Ovenden, Bernadette Peters, Siân Phillips, Jon Robyns, Clive Rowe, Jenna Russell, Imelda Staunton, Charlie Stemp, Gary Wilmot and Michael D. Xavier.

The co-stars are also impressive: Shan Ako, Christine Allado, Holly-Anne Hull, Ashley Campbell, Anna-Jane Casey, Desmonda Cathabel, Josefina Gabrielle, Louis Gaunt, Amy Griffiths, Rob Houchen, Bradley Jaden, Ian McLarnon, Jeremy Secomb , Jordan Shaw and Matthew White.

A company of this size, in such a spectacular show, would normally head to the larger Royal Albert Hall. Unthinkable, said Mackintosh. It must have been the Sondheim.

Tickets for Sondheim sold out quickly. Mackintosh asked the cast for permission to broadcast Old Friends live via satellite at the Prince Edward Theatre, three blocks away. There are a few tickets left for this venue.

He may well end up on TV, the impresario said. Although he warned that the actors must be consulted first, with negatives to follow. Look, there’s a possibility of extra life, we’ll see.

“Right now, all I’m interested in is getting it rolling for tomorrow night…”, at which point he was called on stage to do his trick.

“Let me entertain you,” he began, “with something familiar, something special.”

The music swelled, her voice went into singing mode.

“It was supposed to happen,” Mackintosh told Deadline later.

Sir Cameron insisted that Deadline doesn’t “spoil the surprises” by revealing who will play which numbers, until after Tuesday’s event, to benefit the newly created Stephen Sondheim Foundation. He said Judi Dench, 87, a fearsome chief M spy in James Bond films, would “sue Deadline” if he released the title of the song that brought some viewers to tears.

Mackintosh has made a concession regarding Petula Clark, who turns ninety in November. She recorded her first Sondheim song in 1959. He revealed that Clark, who performs eight times a week in Disney’s Mary Poppins musical to Prince Edward of London, will sing I’m Still Here, this great anthem of survival from Sondheim’s 1971 musical Follies.

“Elaine Paige was young when she did it,” he said, a mischievous look forming on his face.

“She says now I’m Still Here should not be performed by anyone under the age of eighty.

The title of old friends has a triple meaning for Mackintosh who heard his first Sondheim in the 1970s. The songs weren’t widely known at the time, he says. “Now they’re old friends… they’re all famous standards, which they weren’t when we started. That’s what time has done,” he said.

Mackintosh continued: “In his lifetime, the man who is famous as the world’s greatest lyricist also, you may say, wrote some of the greatest melodies ever written for the theatre. And, I think, that’s what Old Friends celebrates and why I say in my introduction that Steve was always a Broadway baby, at heart,” Mackintosh told Deadline just as Bernadette Peters walked on stage, with Damian Lewis not far behind.

Sitting behind us, away from the lighting, sound and other technical desks set up across the stands, actor Clive Rowe was mesmerized by the performers on stage.

He had been released to return home two hours earlier. “I’m sitting here like a kid in a candy store. I’m just a fan now because I won’t be able to see stuff like that because I’ll be in it, he told Deadline.

“We won’t see people like that again,” he added.

By the way, show titles were not included in the ban. During our nearly seven-hour session during the technical rehearsals, we heard numbers among the following: Gypsy, A funny thing happened on the way to the forum; Company, Follies, Sweeney Todd, Sunday in the park with George,In the woods, passion – and the movie Dick Tracy.

And, who knows, there might one day be a full-fledged stage show called… Old Friends.